• Danish Flute Festival

    Aarhus, Denmark Aarhus, Denmark

    The Danish Flute Festival is a festival featuring workshops, flute orchestras, competitions, and concerts. It’s for all of us who love to play the flute! 10-13 September 2026 in Aarhus, Denmark. More information here: https://danskfloejtefestival.dk/engelsk  Camilla' s Workshops, Concert, and Warm-up Session: Saturday 12 September, 10:30-12:00 & 16:30-18:00, Chamber Music Hall - Workshop on Extended..

  • International Flute Festival Essen

    Essen, Germany Essen, Germany

    Deutsche Gesellschaft für Flöte (German Flute Society) International Flute Festival in Essen 2026.  Camilla has a solo concert on Thursday 24th September Peter Eötvös (1944-2024, HUN) Cadenza* (2008) 6‘ Kaja Saariaho (1952-2023, FIN/ F) Dolce tormento* (2004) 6’ Noriko Nakamura (1965, Japan) Inspirare** (2013) 8'20” *written for Camillla **arranged by Camilla (originally for shakuhachi)

  • King of Kings – Stummfilmkonzert mit Live-Musik

    Rochus Kirche, Cologne, Germany Rochusstr. 100, Köln, Germany

    King of Kings – Silent Film Concert with Live Music The farewell concert of Wilfried Kaets, marking the conclusion of his 36 years of service at St. Rochus Church. The programme features the monumental silent film classic King of Kings (1927), presented with a newly composed live score by Wilfried Kaets. Scored for: Choirs Six..

  • Sombre. In the Shadows of Our Time

    Gare du nord, Basel, Switzerland

    Can the love of beauty transform into barbarity? In many of her works, the acclaimed Finnish composer Kaija Saariaho (1952–2023) approached ambivalent cultural figures in order to understand how destructive tendencies can arise not just from the margins of our culture, but from its very heart. Saariaho’s examinations of the poet Ezra Pound — an..

  • Sombre. In the Shadows of Our Time.

    Gare du nord, Basel, Switzerland

    Can the love of beauty transform into barbarity? In many of her works, the acclaimed Finnish composer Kaija Saariaho (1952–2023) approached ambivalent cultural figures in order to understand how destructive tendencies can arise not just from the margins of our culture, but from its very heart. Saariaho’s examinations of the poet Ezra Pound — an..