King of Kings – Silent Film Concert with Live Music The farewell concert of Wilfried Kaets, marking the conclusion of his 36 years of service at St. Rochus Church. The programme features the monumental silent film classic King of Kings (1927), presented with a newly composed live score by Wilfried Kaets. Scored for: Choirs Six..
Camilla Hoitenga Flöte & Michael Veit Violoncello Freitag, 27.11.2026, 19:00 Uhr, Kulturraum Lindau, Neugasse 2, 88131 Lindau Wolfgang Amadeus Mozart (1756-1791) Sonate F-Dur KV 292 für Flöte und Violoncello (1775) 1. Allegro ________Hans Zender (1936-2019) ________Lo Shu I für Flöte und Violoncello (1989) 2. Andante ________Lo Shu V 3. Rondo. Allegro Georg Philipp Telemann (1681-1767)..
Camilla Hoitenga Flöte & Michael Veit Violoncello Sonntag, 29.11.2026, 11 Uhr, Schloss Penzing, 83547 Babensham-Penzing Wolfgang Amadeus Mozart (1756-1791) Sonate F-Dur KV 292 für Flöte und Violoncello (1775) 1. Allegro ________Hans Zender (1936-2019) ________Lo Shu I für Flöte und Violoncello (1989) 2. Andante ________Lo Shu V 3. Rondo. Allegro Georg Philipp Telemann (1681-1767) Fantasia G-Dur..
More details TBA.
An interdisciplinary music theatre piece that revolves around themes such as cultural identity, the search for beauty and its associated risks, and the presence of memory. At its center are works by Kaija Saariaho, which enter into dialogue with new compositions by Swiss composers Cécile Marti and Asia Ahmetjanova, as well as French composer and..
Saturday 23rd January 7:30pm | Samstag 23. Januar 19.30h Sunday 24th January 7:30pm | Sonntag 24. Januar 19.30h An interdisciplinary music theatre piece that revolves around themes such as cultural identity, the search for beauty and its associated risks, and the presence of memory. At its center are works by Kaija Saariaho, which enter..
An interdisciplinary music theatre piece that revolves around themes such as cultural identity, the search for beauty and its associated risks, and the presence of memory. At its center are works by Kaija Saariaho, which enter into dialogue with new compositions by Swiss composers Cécile Marti and Asia Ahmetjanova, as well as French composer and..