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DTSTART;VALUE=DATE:20261114
DTEND;VALUE=DATE:20261115
DTSTAMP:20261018T224321Z
CREATED:20260708T042505Z
LAST-MODIFIED:20261018T224321Z
UID:4295-1794614400-1794700799@www.hoitenga.com
SUMMARY:H.W. Henze's El Cimarrón with Nicholas Isherwood
DESCRIPTION:In Situ Art Society presents Journey into the Unheard — Centennial Series 3\n100 Years of HANS WERNER HENZE \nEL CIMARRÓN (1969/70)\nAutobiography of the escaped slave Esteban Montejo\nLibretto by Hans Magnus Enzensberger \n\nNicholas Isherwood (US/FR) – Voice\, Artistic Director\nCamilla Hoitenga (US/DE) – Flutes\nTal Botvinik (IL/DE) – Guitar\nOded Geizhals (IL/DE) – Percussion\n\nAdmission: €21 | €15 concession\n(For members of the In Situ Art Society: €14 | €10 concession) \nTicket reservations:\ntickets@in-situ-art-society.de | Tel. +49 177 4046531 \n\nAbout the Work\nThe staged vocal work El Cimarrón was composed during Hans Werner Henze’s stay in Cuba between 1969 and 1970. It is a unique contribution to the tradition of politically engaged music in Germany. The work combines a personal story of liberation with universal questions of oppression and resistance\, creating an entirely new form of musical storytelling that extends far beyond conventional concert formats. \nNicholas Isherwood is regarded as one of the world’s leading interpreters of contemporary vocal music. He has performed El Cimarrónseveral times in the presence of the composer himself. \n\nSupported by\n\nKunststiftung NRW\nCity of Bonn\n\nWith the kind support of\n\nKreuzung an St. Helena – A dialogue space for Christian worship and contemporary culture (www.kreuzung-helena.de)\nfalschnehmung.de – Observations and reflections on visions and visual culture\, culture\, madness\, and other forms of perception (www.falschnehmung.de)\nPanRec – A video label for jazz and improvised music (www.panrec.com)\n\nPhoto of Esteban Montejo:\nPrivate Archive of Miguel Barnet\, Havana\, Cuba.
URL:https://www.hoitenga.com/event/h-w-henzes-el-cimarron-with-nicholas-isherwood/
LOCATION:Kreuzung St. Helena\, Bornheimer Strasse 130\, Bonn\, 53119\, Germany
CATEGORIES:Chamber Music
ATTACH;FMTTYPE=image/jpeg:https://www.hoitenga.com/new/wp-content/uploads/2026/07/unnamed-15.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20261127
DTEND;VALUE=DATE:20261128
DTSTAMP:20261018T225400Z
CREATED:20260708T043646Z
LAST-MODIFIED:20261018T225400Z
UID:4302-1795737600-1795823999@www.hoitenga.com
SUMMARY:Duo concert with cellist Michael Veit
DESCRIPTION:Camilla Hoitenga Flöte & Michael Veit Violoncello \nFreitag\, 27.11.2026\, 19:00 Uhr\, Kulturraum Lindau\, Neugasse 2\, 88131 Lindau \nWolfgang Amadeus Mozart (1756-1791)\nSonate F-Dur KV 292 für Flöte und Violoncello (1775) \n1. Allegro \n________Hans Zender (1936-2019)\n________Lo Shu I für Flöte und Violoncello (1989) \n2. Andante \n________Lo Shu V \n3. Rondo. Allegro \nGeorg Philipp Telemann (1681-1767)\nFantasia G-Dur für Violoncello solo (1735)\n1. Presto \n________Elliott Carter (1908-2012)\n________Figment II für Violoncello solo (2001) \n2. Largo \n________Franz Schubert/Il Hoon Son\n________Die Nebensonnen für Violoncello solo (1827/2025) \n3. Allegro \nSidney Corbett (*1960)\nDella pietà für Flöte und Violoncello (1993) \nPause \nJohann Sebastian Bach (1685-1750)\nPartita a-Moll BWV 1013 (1720) für Flöte solo\nSarabande \nHilary Tan (*1947)\nLlef für Flöte und Violoncello (1990) \nElliott Carter\nEnchanted Preludes für Flöte und Violoncello (1988) \nHeitor Villa-Lobos (1887-1959)\nAssobio a Játo für Flöte und Violoncello (1950)\n1. Allegro non troppo\n2. Adagio\n3. Vivo
URL:https://www.hoitenga.com/event/duo-concert-with-cellist-michael-veit/
LOCATION:Lindau\, Germany
CATEGORIES:Chamber Music,Concert
ATTACH;FMTTYPE=image/jpeg:https://www.hoitenga.com/new/wp-content/uploads/2025/05/cologne-may-25-high-res-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20261129
DTEND;VALUE=DATE:20261130
DTSTAMP:20261018T225432Z
CREATED:20260708T043931Z
LAST-MODIFIED:20261018T225432Z
UID:4305-1795910400-1795996799@www.hoitenga.com
SUMMARY:Duo concert with cellist Michael Veit
DESCRIPTION:Camilla Hoitenga Flöte & Michael Veit Violoncello \nSonntag\, 29.11.2026\, 11 Uhr\, Schloss Penzing\, 83547 Babensham-Penzing \nWolfgang Amadeus Mozart (1756-1791)\nSonate F-Dur KV 292 für Flöte und Violoncello (1775) \n1. Allegro \n________Hans Zender (1936-2019)\n________Lo Shu I für Flöte und Violoncello (1989) \n2. Andante \n________Lo Shu V \n3. Rondo. Allegro \nGeorg Philipp Telemann (1681-1767)\nFantasia G-Dur für Violoncello solo (1735)\n1. Presto \n________Elliott Carter (1908-2012)\n________Figment II für Violoncello solo (2001) \n2. Largo \n________Franz Schubert/Il Hoon Son\n________Die Nebensonnen für Violoncello solo (1827/2025) \n3. Allegro \nSidney Corbett (*1960)\nDella pietà für Flöte und Violoncello (1993) \nPause \nJohann Sebastian Bach (1685-1750)\nPartita a-Moll BWV 1013 (1720) für Flöte solo\nSarabande \nHilary Tan (*1947)\nLlef für Flöte und Violoncello (1990) \nElliott Carter\nEnchanted Preludes für Flöte und Violoncello (1988) \nHeitor Villa-Lobos (1887-1959)\nAssobio a Játo für Flöte und Violoncello (1950)\n1. Allegro non troppo\n2. Adagio\n3. Vivo
URL:https://www.hoitenga.com/event/duo-concert-with-cellist-michael-veit-2/
LOCATION:Penzing\, Germany
CATEGORIES:Chamber Music,Concert
ATTACH;FMTTYPE=image/jpeg:https://www.hoitenga.com/new/wp-content/uploads/2026/07/img_0654-camilla-hoitenga-scaled.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20261205
DTEND;VALUE=DATE:20261206
DTSTAMP:20260922T024114Z
CREATED:20260708T044456Z
LAST-MODIFIED:20260922T024114Z
UID:4309-1796428800-1796515199@www.hoitenga.com
SUMMARY:Sombre. In the Shadows of Our Time
DESCRIPTION:Can the love of beauty transform into barbarity? \nIn many of her works\, the acclaimed Finnish composer Kaija Saariaho (1952–2023) approached ambivalent cultural figures in order to understand how destructive tendencies can arise not just from the margins of our culture\, but from its very heart. Saariaho’s examinations of the poet Ezra Pound — an aesthete turned supporter of Fascism — and of the painter Paul Gauguin\, whose time in Tahiti was tainted by exoticism and colonialism\, is an invitation to question our collective dark side by looking at the „paradises” we try to create for ourselves. \nAs reflected by the title of Kaija Saariaho’s chamber work „Sombre”\, our collective memories are ambivalent constructs in which we sometimes lose ourselves. \nAs a tribute to the composer and pioneer of electroacoustic music\, world premieres by Jean-Baptiste Barrière and Cécile Marti were commissioned as answers to selected chamber works by Saariaho. The production is curated and staged by writer-director Aleksi Barrière. \nMusic:\nKaija Saariaho (1952-2023):\nCaliban’s Dream (1993/95\, Text aus William Shakespeares The Tempest)\nNoaNoa (1992\, Text from Paul Gaugins Noa Noa) \nCécile Marti (*1973):\n‘ŌVIRI (2026\, Premiere\, Text from Aleksi Barrière) \nKaija Saariaho:\nCiel étoilé (1999) \nJean-Baptiste Barrière (*1958):\nUn Tempo di Lampi Senza Tuono (2026\, Premiere\, Texts from Primo Levi) \nKaija Saariaho:\nSombre (2012\, Text from Ezra Pounds Cantos) \nStage:\nThe stage design includes the sculpture Osiria (2026) by Cécile Marti. \nArtists: \n\nAleksi Barrière – Direction\, Text\, Video\nJean-Baptiste Barrière – Composition\, Sound Design\, Video\nCécile Marti – Composition\nLea Vaterlaus – Dramaturgy\nRobert Koller – Bass-Bariton\nEija Kankaanranta – Kantele\nCamilla Hoitenga – Flute\nAleksander Gabrys – Double Bass\nFritz Hauser – Percussion\nGary Berger – Audio & Video Coordination\nÉtienne Exbrayat – Light\nJens Schubbe – Production Lead\n\nMore information: https://www.garedunord.ch/de/formate/3208/sombre-in-the-shadows-of-our-time
URL:https://www.hoitenga.com/event/sombre-in-the-shadows-of-our-time/
LOCATION:Gare du nord\, Basel\, Switzerland
CATEGORIES:Chamber Music
ATTACH;FMTTYPE=image/png:https://www.hoitenga.com/new/wp-content/uploads/2026/01/26.-sombre-recording-with-score-camilla-hoitenga.png
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20261206
DTEND;VALUE=DATE:20261207
DTSTAMP:20260922T024026Z
CREATED:20260708T050054Z
LAST-MODIFIED:20260922T024026Z
UID:4319-1796515200-1796601599@www.hoitenga.com
SUMMARY:Sombre. In the Shadows of Our Time.
DESCRIPTION:Can the love of beauty transform into barbarity? \nIn many of her works\, the acclaimed Finnish composer Kaija Saariaho (1952–2023) approached ambivalent cultural figures in order to understand how destructive tendencies can arise not just from the margins of our culture\, but from its very heart. Saariaho’s examinations of the poet Ezra Pound — an aesthete turned supporter of Fascism — and of the painter Paul Gauguin\, whose time in Tahiti was tainted by exoticism and colonialism\, is an invitation to question our collective dark side by looking at the „paradises” we try to create for ourselves. \nAs reflected by the title of Kaija Saariaho’s chamber work „Sombre”\, our collective memories are ambivalent constructs in which we sometimes lose ourselves. \nAs a tribute to the composer and pioneer of electroacoustic music\, world premieres by Jean-Baptiste Barrière and Cécile Marti were commissioned as answers to selected chamber works by Saariaho. The production is curated and staged by writer-director Aleksi Barrière. \nMusic:\nKaija Saariaho (1952-2023):\nCaliban’s Dream (1993/95\, Text aus William Shakespeares The Tempest)\nNoaNoa (1992\, Text from Paul Gaugins Noa Noa) \nCécile Marti (*1973):\n‘ŌVIRI (2026\, Premiere\, Text from Aleksi Barrière) \nKaija Saariaho:\nCiel étoilé (1999) \nJean-Baptiste Barrière (*1958):\nUn Tempo di Lampi Senza Tuono (2026\, Premiere\, Texts from Primo Levi) \nKaija Saariaho:\nSombre (2012\, Text from Ezra Pounds Cantos) \nStage:\nThe stage design includes the sculpture Osiria (2026) by Cécile Marti. \nArtists: \n\nAleksi Barrière – Direction\, Text\, Video\nJean-Baptiste Barrière – Composition\, Sound Design\, Video\nCécile Marti – Composition\nLea Vaterlaus – Dramaturgy\nRobert Koller – Bass-Bariton\nEija Kankaanranta – Kantele\nCamilla Hoitenga – Flute\nAleksander Gabrys – Double Bass\nFritz Hauser – Percussion\nGary Berger – Audio & Video Coordination\nÉtienne Exbrayat – Light\nJens Schubbe – Production Lead\n\nMore information: https://www.garedunord.ch/de/formate/3209/sombre-in-the-shadows-of-our-time
URL:https://www.hoitenga.com/event/sombre-in-the-shadows-of-our-time-2/
LOCATION:Gare du nord\, Basel\, Switzerland
CATEGORIES:Chamber Music
ATTACH;FMTTYPE=image/png:https://www.hoitenga.com/new/wp-content/uploads/2026/01/26.-sombre-recording-with-score-camilla-hoitenga.png
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20261220
DTEND;VALUE=DATE:20261221
DTSTAMP:20260708T045251Z
CREATED:20260708T045251Z
LAST-MODIFIED:20260708T045251Z
UID:4313-1797724800-1797811199@www.hoitenga.com
SUMMARY:H.W.Henze's El Cimarrón with Robert Koller
DESCRIPTION:More details TBA.
URL:https://www.hoitenga.com/event/h-w-henzes-el-cimarron-with-robert-koller/
LOCATION:Musikhochschule\, Münster\, Germany
CATEGORIES:Chamber Music,Concert
ATTACH;FMTTYPE=image/jpeg:https://www.hoitenga.com/new/wp-content/uploads/2026/07/el-cimarron-foto-portrait-camilla-hoitenga.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20270122T193000
DTEND;TZID=Europe/Berlin:20270122T213000
DTSTAMP:20260922T025122Z
CREATED:20260922T025122Z
LAST-MODIFIED:20260922T025122Z
UID:4341-1800646200-1800653400@www.hoitenga.com
SUMMARY:Sombre. In the Shadows of Our Time
DESCRIPTION:An interdisciplinary music theatre piece that revolves around themes such as cultural identity\, the search for beauty and its associated risks\, and the presence of memory. At its center are works by Kaija Saariaho\, which enter into dialogue with new compositions by Swiss composers Cécile Marti and Asia Ahmetjanova\, as well as French composer and video artist Jean-Baptiste Barrière. \nEin interdisziplinäres Musiktheater\, das um Themen wie kulturelle Identität\, Suche nach Schönheit und damit verbundene Gefährdungen\, die Präsenz von Erinnerung kreist und in dessen Zentrum Werke von Kaija Saariaho stehen\, mit denen die Schweizer Komponistinnen Cécile Marti und Asia Ahmetjanova sowie der französische Komponist und Videokünstler Jean-Baptiste Barrière mit ihren neuen Kompositionen in Dialog treten. \nCAST & CREATIVE TEAM \n\nRobert Koller\, CH (Bass-baritone)\nEija Kankaanranta\, FIN (Kantele)\nCamilla Hoitenga\, GER/USA (Flute)\nAleksander Gabrys\, CH/PL (Double bass)\nFritz Hauser\, CH (Percussion)\nAleksi Barrière\, FIN/FR (Direction\, Text)\nJean-Baptiste Barrière\, FR (Sound Design\, Video)\nÉtienne Exbrayat (Lighting)\nLea Vaterlaus\, CH (Dramaturgy)\nProf. Gary Berger\, CH (Audio & Video Coordination)\nJens Schubbe\, GER (Production Management)
URL:https://www.hoitenga.com/event/sombre-in-the-shadows-of-our-time-4/
LOCATION:Stadttheater Biel
CATEGORIES:Chamber Music,Concert
ATTACH;FMTTYPE=image/png:https://www.hoitenga.com/new/wp-content/uploads/2026/01/26.-sombre-recording-with-score-camilla-hoitenga.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20270123T000000
DTEND;TZID=Europe/Berlin:20270124T000000
DTSTAMP:20260922T024920Z
CREATED:20260922T024841Z
LAST-MODIFIED:20260922T024920Z
UID:4336-1800662400-1800748800@www.hoitenga.com
SUMMARY:Sombre. In the Shadows of Our Time
DESCRIPTION:Saturday 23rd January 7:30pm | Samstag 23. Januar 19.30h  \n\nSunday 24th January 7:30pm | Sonntag 24. Januar 19.30h \n\nAn interdisciplinary music theatre piece that revolves around themes such as cultural identity\, the search for beauty and its associated risks\, and the presence of memory. At its center are works by Kaija Saariaho\, which enter into dialogue with new compositions by Swiss composers Cécile Marti and Asia Ahmetjanova\, as well as French composer and video artist Jean-Baptiste Barrière. \nEin interdisziplinäres Musiktheater\, das um Themen wie kulturelle Identität\, Suche nach Schönheit und damit verbundene Gefährdungen\, die Präsenz von Erinnerung kreist und in dessen Zentrum Werke von Kaija Saariaho stehen\, mit denen die Schweizer Komponistinnen Cécile Marti und Asia Ahmetjanova sowie der französische Komponist und Videokünstler Jean-Baptiste Barrière mit ihren neuen Kompositionen in Dialog treten. \nCAST & CREATIVE TEAM \n\nRobert Koller\, CH (Bass-baritone)\nEija Kankaanranta\, FIN (Kantele)\nCamilla Hoitenga\, GER/USA (Flute)\nAleksander Gabrys\, CH/PL (Double bass)\nFritz Hauser\, CH (Percussion)\nAleksi Barrière\, FIN/FR (Direction\, Text)\nJean-Baptiste Barrière\, FR (Sound Design\, Video)\nÉtienne Exbrayat (Lighting)\nLea Vaterlaus\, CH (Dramaturgy)\nProf. Gary Berger\, CH (Audio & Video Coordination)\nJens Schubbe\, GER (Production Management)\n\nMITWIRKENDE  \nRobert Koller\, CH (Bassbariton) Eija Kankaanranta\, FIN (Kantele) Camilla Hoitenga\, D/USA (Flöte) Aleksander Gabrys\, CH/PL (Kontrabass) Fritz Hauser\, CH (Perkussion)  \nAleksi Barrière\, FIN/F (Regie\, Text) Jean-Baptiste Barrière\, F (Sound Design\, Video) Étienne Exbrayat (Licht) Lea Vaterlaus\, CH (Dramaturgie) Prof. Gary Berger\, CH (Koordination Audio & Video) Jens Schubbe\, DE (Produktionsleitung) \nMore information: https://walcheturm.ch/agenda/sombre-in-the-shadows-of-our-time/
URL:https://www.hoitenga.com/event/sombre-in-the-shadows-of-our-time-3/
LOCATION:Kulturraum Walcheturm Zürich
CATEGORIES:Chamber Music,Concert
ATTACH;FMTTYPE=image/png:https://www.hoitenga.com/new/wp-content/uploads/2026/01/26.-sombre-recording-with-score-camilla-hoitenga.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20270126T193000
DTEND;TZID=Europe/Berlin:20270126T213000
DTSTAMP:20260922T025228Z
CREATED:20260922T025228Z
LAST-MODIFIED:20260922T025228Z
UID:4344-1800991800-1800999000@www.hoitenga.com
SUMMARY:Sombre. In the Shadows of Our Time
DESCRIPTION:An interdisciplinary music theatre piece that revolves around themes such as cultural identity\, the search for beauty and its associated risks\, and the presence of memory. At its center are works by Kaija Saariaho\, which enter into dialogue with new compositions by Swiss composers Cécile Marti and Asia Ahmetjanova\, as well as French composer and video artist Jean-Baptiste Barrière. \nEin interdisziplinäres Musiktheater\, das um Themen wie kulturelle Identität\, Suche nach Schönheit und damit verbundene Gefährdungen\, die Präsenz von Erinnerung kreist und in dessen Zentrum Werke von Kaija Saariaho stehen\, mit denen die Schweizer Komponistinnen Cécile Marti und Asia Ahmetjanova sowie der französische Komponist und Videokünstler Jean-Baptiste Barrière mit ihren neuen Kompositionen in Dialog treten. \nCAST & CREATIVE TEAM \n\nRobert Koller\, CH (Bass-baritone)\nEija Kankaanranta\, FIN (Kantele)\nCamilla Hoitenga\, GER/USA (Flute)\nAleksander Gabrys\, CH/PL (Double bass)\nFritz Hauser\, CH (Percussion)\nAleksi Barrière\, FIN/FR (Direction\, Text)\nJean-Baptiste Barrière\, FR (Sound Design\, Video)\nÉtienne Exbrayat (Lighting)\nLea Vaterlaus\, CH (Dramaturgy)\nProf. Gary Berger\, CH (Audio & Video Coordination)\nJens Schubbe\, GER (Production Management)
URL:https://www.hoitenga.com/event/sombre-in-the-shadows-of-our-time-5/
LOCATION:Stadttheater Solothurn
CATEGORIES:Chamber Music,Concert
ATTACH;FMTTYPE=image/png:https://www.hoitenga.com/new/wp-content/uploads/2026/01/26.-sombre-recording-with-score-camilla-hoitenga.png
END:VEVENT
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